My new favorite thing of the day. :)
Showing posts with label owls. Show all posts
Showing posts with label owls. Show all posts
Friday, November 18, 2011
Wednesday, June 22, 2011
So, Glaux... you like owls huh?
Yes I like owls. It's kind of a thing for me. Let me explain.
When I was in high school I was that weird girl who was in all the school plays and painted her lips black and wore a biker jacket. I was also openly Wiccan, which really means I'd read a few Scott Cunningham and Ray Buckland books and I was really jazzed about this Lilith character I'd read about.
Anyway, in spite of myself I was a real book hound proto-librarian type who loved to do research. I still have the (now very full) index cards that I started back then on each of the sepheroth. Much like today, if it had to do with the occult I wanted to know it.
I was dating this guy who was in a garage band and was really into Native American spirituality. I think it had something to do with idolizing Jim Morrison. He lent me a book, Ted Andrew's Animal Speak. I thought this book was amazing. AH. MAY. ZING. Because of it I was determined to find my totem animal spirit.
Armed with the wherewithal that only a sixteen year old can muster I boldly trekked out into the woods to commune with nature. I was certain that if I simply went out into the world with intent that the universe would make apparent my very own totem spirit in a matter of minutes. This did not happen.
What did happen was that I missed lunch. And dinner. And nothing happened. No forest critters appeared from the brush for consideration as a totem. No chipmunks. No blackbirds. No nothin' for hours.
The sun was setting, and I knew it was time to turn back towards home. The sky shifted orange and pink, and then to deep lavender. I was out of the woods and walking through the field next to my house when a monster tried to eat me. It came out of nowhere, aimed straight for my head. I ducked to the ground, prone and terrified.
Of course, you can all guess what had happened now, but then, in the moment, I thought the sky was falling for certain. And yes, when I finally got the nerve up to peek at the tree behind me, there she was. Perched in a bare tree, silhouetted in the fading purple sky, the unmistakable outline of an owl. She is a great horned owl, and she sings me to sleep every night thereafter that I spent in my parent's home. In the evening she wings by my window.
Flash forward into my early twenties as I am coming into my own as a magician. Every witch needs her fetch, and mine came in the form of a screech owl. I was now deeply into the mysteries of Lilith, and came to understand her as a kind of great cosmic mothering owl-spirit. I took my first magical name, Noctua, Latin for screech owl. I cut my staff from a grove where a nest of screech owlettes makes their home. I go on late night walks just to listen to them call out.
And on into my thirties when I have collected my lineages and degrees, and have molded a truly magical life for myself. Athena starts talking to me. She gives me a few tasks to complete, and I perform most of them (one being the work of this blog). I begin to see that the "great cosmic mothering owl-spirit" is an archetype in many ancient European cultures. Lilith, Athena, Blodeuwedd, Ereshkegal, Calleach, the Burney Relief Goddess, and so on. I take another name. This time Glaux, Greek for owl.
I don't know where the owl will fly me next. Right now she is embedded as the archetypical Black Goddess of the American Folkloric Witchcraft/Spiral Castle tradition I am working. She looms large as a life-sized copy of the Burney Relief over the desk I sit at now. I am surrounded by owl trinkets and paraphernalia. A wooden flute carved into an owl that makes hooting noises, an obsidian carved owl from my trip to Mexico, a maneki neko inspired owl from "Japan" in Epcot, several stuffed hedwigs, a stained glass owl from my mother in law. There are literally hundreds of them.
Do I like owls? Yes. And I've come to think that, just maybe, they like me back.
When I was in high school I was that weird girl who was in all the school plays and painted her lips black and wore a biker jacket. I was also openly Wiccan, which really means I'd read a few Scott Cunningham and Ray Buckland books and I was really jazzed about this Lilith character I'd read about.
Anyway, in spite of myself I was a real book hound proto-librarian type who loved to do research. I still have the (now very full) index cards that I started back then on each of the sepheroth. Much like today, if it had to do with the occult I wanted to know it.
I was dating this guy who was in a garage band and was really into Native American spirituality. I think it had something to do with idolizing Jim Morrison. He lent me a book, Ted Andrew's Animal Speak. I thought this book was amazing. AH. MAY. ZING. Because of it I was determined to find my totem animal spirit.
Armed with the wherewithal that only a sixteen year old can muster I boldly trekked out into the woods to commune with nature. I was certain that if I simply went out into the world with intent that the universe would make apparent my very own totem spirit in a matter of minutes. This did not happen.
What did happen was that I missed lunch. And dinner. And nothing happened. No forest critters appeared from the brush for consideration as a totem. No chipmunks. No blackbirds. No nothin' for hours.
The sun was setting, and I knew it was time to turn back towards home. The sky shifted orange and pink, and then to deep lavender. I was out of the woods and walking through the field next to my house when a monster tried to eat me. It came out of nowhere, aimed straight for my head. I ducked to the ground, prone and terrified.
Of course, you can all guess what had happened now, but then, in the moment, I thought the sky was falling for certain. And yes, when I finally got the nerve up to peek at the tree behind me, there she was. Perched in a bare tree, silhouetted in the fading purple sky, the unmistakable outline of an owl. She is a great horned owl, and she sings me to sleep every night thereafter that I spent in my parent's home. In the evening she wings by my window.
Flash forward into my early twenties as I am coming into my own as a magician. Every witch needs her fetch, and mine came in the form of a screech owl. I was now deeply into the mysteries of Lilith, and came to understand her as a kind of great cosmic mothering owl-spirit. I took my first magical name, Noctua, Latin for screech owl. I cut my staff from a grove where a nest of screech owlettes makes their home. I go on late night walks just to listen to them call out.
And on into my thirties when I have collected my lineages and degrees, and have molded a truly magical life for myself. Athena starts talking to me. She gives me a few tasks to complete, and I perform most of them (one being the work of this blog). I begin to see that the "great cosmic mothering owl-spirit" is an archetype in many ancient European cultures. Lilith, Athena, Blodeuwedd, Ereshkegal, Calleach, the Burney Relief Goddess, and so on. I take another name. This time Glaux, Greek for owl.
I don't know where the owl will fly me next. Right now she is embedded as the archetypical Black Goddess of the American Folkloric Witchcraft/Spiral Castle tradition I am working. She looms large as a life-sized copy of the Burney Relief over the desk I sit at now. I am surrounded by owl trinkets and paraphernalia. A wooden flute carved into an owl that makes hooting noises, an obsidian carved owl from my trip to Mexico, a maneki neko inspired owl from "Japan" in Epcot, several stuffed hedwigs, a stained glass owl from my mother in law. There are literally hundreds of them.
Do I like owls? Yes. And I've come to think that, just maybe, they like me back.
Labels:
AFW,
athena,
ereshkegal,
fetch,
glaux,
lilith,
owls,
spiral castle,
totems,
wicca,
witchcraft
Monday, November 29, 2010
Bringing Owls to Athens

It is difficult to picture the symbols of Athena without noting her constant avian companion the Athene noctua, or Little Owl. The Little Owl is sometimes seen as an aspect of Athena herself, and historians relate how Greek generals would keep a tame owl to release amid a heated battle in order to encourage his troops that Athena was with them.
In western culture the owl is interpreted as a symbol of wisdom. Scholars debate if this is due to the owl's fixed human-like gaze, or its ancient associations with Athena. But, which came first, the owl-as-wisdom-goddess or Athena herself, who came to be associated with owls?
Goddess figures with characteristics similar to Athena have existed since before recorded history. Marija Gimbutas traces veneration of the owl as a goddess, among other birds, to the culture of the Pre Indo-Europeans (PIE). From Sumeria comes the Burney Relief, dated around 1750 BCE, depicting a helmeted Goddess flanked by owls. Unfortunately, we can only guess at the significance of these icons, and cannot therefore conclude that they have any direct association to a Goddess of Wisdom.
So how did Athena become associated with the Little Owl? One clue lies in the ancient proverb "bringing owls to Athens". Although many scholars state that the "owls" of Athens were its famous tetradrachms. These silver coins depicted Athena's profile of the face, and her Little Owl with an olive branch on the reverse. Presumably, because Athens minted these coins themselves, there was little need to bring more silver to the city.
A more ancient interpretation of the proverb points to the significance of the first Parthenon, built by Xerxes I. One of the noted features of this early temple to Athena were its lofty rafters. In these rafters nested many generations of Athene noctua. The Athenians took this as a sign that Athena was present in the temple, and the birds were welcome there. Therefore, it was foolish to "bring owls to Athens", as they were already famous for their flock on the Acropolis.
Did the owls of the Parthenon influence the symbolism of Athena so much that she became forever associated with the Little Owl, or was the association already present before the building of the old Parthenon, so that the birds were simply seen as Athena's blessing?
Could it be a bit of both? One of Athena's most famous epitaphs is Athena Glaukopis, which is gleaming, silver, or gray-eyed Athena. Glaux itself means owl, so that even her name "A-Thea-na Glaux-Kopis" can be read "Holy Lady with Owl Eyes". Very early images of Athena sometimes depict her with bird wings in the place of the Aegis. Nike, often called Athena Nike, another of Athena's epitaphs, retained her wings into recorded history. Could these wings point to an early connection to the owl? Are they vestiges of the PIE owl Goddess?
When looking to Athena's association with the Gorgons, Monstropedia points out:
"The large eyes of the Gorgon, as well as Athena's flashing eyes, are a symbol Gimbutas termed "the divine eyes", appearing also in Athena's bird, the owl. They can be represented by spirals, wheels, concentric circles, and other ways. They radiate the sun's rays and weep the spring rains. Snakes also possess the eyes. The fangs of the gorgoneion are snakes' fangs. Snakes are a symbol of propitiation and increase. The round face is the moon. Sometimes gorgoneia are endowed with birds' feet or bee wings, more symbols of regeneration. The mouth is open so that streams may flow from it. The lolling tongue is a symbol of death. It cannot be said that these motifs belong exclusively to the European Neolithic and not to the Indo-Europeans. They appear among the Celts and Germans] as well. The Balts kept snakes as household pets. As Gimbutas points out, masks with staring eyes are portrayed in Paleolithic cave art. Very likely, the goddess precedes any Indo-European/non-Indo-European distinction."Owl eyes, snakes, (as on the Aegis and found throughout PIE art) bees, fresh streams of water, the moon, the labrys, the olive tree... Athena's ancient symbols are varied and point to a strong connection to an indigenous PIE Goddess figure.
Tuesday, July 6, 2010
My Journey to Athena
How did I, a Witch and a Thelemite, become a Hellenic Polytheist? It has been a winding road.
Three years ago I began to open myself to the wisdom of the Greek pantheon. I had made a pilgrimage (hopefully the first of many) to the Nashville Parthenon, where I was struck with wonder at the awesome power of Athena for the first time.
I've worked with Owl as a primary totem since I was a dabbling teenager, my magical working name has always been Latin for the little owl, but I was not yet ready to accept that Athena had a place of prominence in my life. I had worked with the Goddess Lilith for many years with mixed results, and I resisted the Greek Gods as the stuff of my childhood. I had worshiped them when I was barely ten years old. They were my first forays into Paganism. Their myths were taught in public school. I sniffed at their commonness in my life. I was too blinded my the allure of the exotic to understand that what I mistook for commonness was nearness and affinity.
When Laurelei came into my life a year later she brought an enthusiasm for Aphrodite that was alluring. She also brought up some rather nasty conflicts whenever I channeled Lilith. My relationship with Lilith had been wearing thin for some time. She is wise, powerful, beautiful... but also jealous, cruel, and rapacious. Although I knew that ours was a poor relationship it was one I had cultivated over many years, and my own personal mystical symbolism had become intertwined with Lilith's. Owls, snakes, the Burney Relief, the apple, the Tree of Life, the cloak of protection offered by Her dark wings... these were ingrained in the very fabric of my spirit.
It seems now as if I had all of the pieces that should have led me naturally to Athena, yet still I resisted. I began to have visions of Hera, both waking and in dreams. She asked, no, she demanded that I found a women's retreat. I began work on that project, and it changed my life.
Then one night I had the dream. She was huge. Massive. As grand in scale as She was in Nashville. And yet, I could look Her in the eyes. She wore a garnet red peplos and carried a bronze spear that seemed to also serve as a spindle. Her hair was long, dark, and tightly kinked, like that of an African beauty. Her skin was rich bronze. She had a narrow full lipped mouth set above a strong round chin, a very noble high set nose that jutted forcefully from Her forehead. Her cheekbones were high and Her face was a gentle oval set upon a long regal neck. But what I will never forget, what is a blessing that will stay with me all of my life, was Her eyes.
They were deep set and very wide. Unblinking, steady, and shifting in color. One moment they were liquid sliver, like mercury, the next they were stormy, full of dark clouds and flashing lightning. Then Her eyes were the dark milky midnight blue of a barred owl's, and then the sea green of a deep pool or a "blue hole". When I think of them now my heart sings "Lucy in the Sky With Diamonds", so brilliant do they sparkle, so much like the heavens they shine. They were all eyes I had ever admired. The eyes of the National Geographic Afghan Girl, the eyes of a boy I knew in high school, the eyes of my mother and my father, the stylized eyes of the Buddha, eyes of timelessness, eyes gray with the silvery gray wisdom of the sphere of Chokmah. Athena Glaukopis, I would later learn was Her proper name.
She said nothing. She didn't need to. In my heart I felt that She had always been with me, that it was Her mark that had left strange symbols in my soul... owls, snakes, the Burney Relief, the golden apple, the olive tree, the cloak of protection offered by Her aegis, the burning, blinding quest for knowledge that defines me. Athena abides and perceives. I am honored to serve Her.
Three years ago I began to open myself to the wisdom of the Greek pantheon. I had made a pilgrimage (hopefully the first of many) to the Nashville Parthenon, where I was struck with wonder at the awesome power of Athena for the first time.
I've worked with Owl as a primary totem since I was a dabbling teenager, my magical working name has always been Latin for the little owl, but I was not yet ready to accept that Athena had a place of prominence in my life. I had worked with the Goddess Lilith for many years with mixed results, and I resisted the Greek Gods as the stuff of my childhood. I had worshiped them when I was barely ten years old. They were my first forays into Paganism. Their myths were taught in public school. I sniffed at their commonness in my life. I was too blinded my the allure of the exotic to understand that what I mistook for commonness was nearness and affinity.
When Laurelei came into my life a year later she brought an enthusiasm for Aphrodite that was alluring. She also brought up some rather nasty conflicts whenever I channeled Lilith. My relationship with Lilith had been wearing thin for some time. She is wise, powerful, beautiful... but also jealous, cruel, and rapacious. Although I knew that ours was a poor relationship it was one I had cultivated over many years, and my own personal mystical symbolism had become intertwined with Lilith's. Owls, snakes, the Burney Relief, the apple, the Tree of Life, the cloak of protection offered by Her dark wings... these were ingrained in the very fabric of my spirit.
It seems now as if I had all of the pieces that should have led me naturally to Athena, yet still I resisted. I began to have visions of Hera, both waking and in dreams. She asked, no, she demanded that I found a women's retreat. I began work on that project, and it changed my life.
Then one night I had the dream. She was huge. Massive. As grand in scale as She was in Nashville. And yet, I could look Her in the eyes. She wore a garnet red peplos and carried a bronze spear that seemed to also serve as a spindle. Her hair was long, dark, and tightly kinked, like that of an African beauty. Her skin was rich bronze. She had a narrow full lipped mouth set above a strong round chin, a very noble high set nose that jutted forcefully from Her forehead. Her cheekbones were high and Her face was a gentle oval set upon a long regal neck. But what I will never forget, what is a blessing that will stay with me all of my life, was Her eyes.
They were deep set and very wide. Unblinking, steady, and shifting in color. One moment they were liquid sliver, like mercury, the next they were stormy, full of dark clouds and flashing lightning. Then Her eyes were the dark milky midnight blue of a barred owl's, and then the sea green of a deep pool or a "blue hole". When I think of them now my heart sings "Lucy in the Sky With Diamonds", so brilliant do they sparkle, so much like the heavens they shine. They were all eyes I had ever admired. The eyes of the National Geographic Afghan Girl, the eyes of a boy I knew in high school, the eyes of my mother and my father, the stylized eyes of the Buddha, eyes of timelessness, eyes gray with the silvery gray wisdom of the sphere of Chokmah. Athena Glaukopis, I would later learn was Her proper name.
She said nothing. She didn't need to. In my heart I felt that She had always been with me, that it was Her mark that had left strange symbols in my soul... owls, snakes, the Burney Relief, the golden apple, the olive tree, the cloak of protection offered by Her aegis, the burning, blinding quest for knowledge that defines me. Athena abides and perceives. I am honored to serve Her.
Wednesday, March 17, 2010
I've got you under my skin
I'm sure it's Pagan blogging protocol to have at least one post about your tattoos. If you don't have any tattoos then, obviously, you are not a True Pagan.(TM) I realized that I've neglected to mention anything about my body ink which I shall remedy now on pain of having my good Pagan blogger card membership revoked.
I've two tattoos, both with spiritual/religious significance. The first is a large blue celtic knotwork pentacle on my left shoulder in reference to my Witchcraft background. The second is a small red star of Babalon on my right ankle in honor of my work in Thelema and as a founder of the Babalon Rising festival. I've been slowly saving up for my next piece, which will be of an owl of the type found on the reverse of some Athenian drachma. This will be in deference to Athena and my own personal connection with owl as a totemic spirit.
I have plans for several more tattoos along my spine. Laurelei and I are considering matching Kallisti apples at our solar plexus. I am also considering a gorgon mask, a spider in a web, a labrys and a serpent spiral. All of these have connections to Athena, along with other personal symbolism. If you wonder why there are so many options in the "queue" while so few pieces have actually materialized, it is because I am very particular about getting a tattoo. I usually wait a minimum of three years after I've settled on a final design before I get the work done. I figure if I still like it and want it after three years time I can probably live with it being there forever.
I design some part of each of my tattoo artwork, and below is some flash of various designs that I currently have/will have/am considering.
I've two tattoos, both with spiritual/religious significance. The first is a large blue celtic knotwork pentacle on my left shoulder in reference to my Witchcraft background. The second is a small red star of Babalon on my right ankle in honor of my work in Thelema and as a founder of the Babalon Rising festival. I've been slowly saving up for my next piece, which will be of an owl of the type found on the reverse of some Athenian drachma. This will be in deference to Athena and my own personal connection with owl as a totemic spirit.
I have plans for several more tattoos along my spine. Laurelei and I are considering matching Kallisti apples at our solar plexus. I am also considering a gorgon mask, a spider in a web, a labrys and a serpent spiral. All of these have connections to Athena, along with other personal symbolism. If you wonder why there are so many options in the "queue" while so few pieces have actually materialized, it is because I am very particular about getting a tattoo. I usually wait a minimum of three years after I've settled on a final design before I get the work done. I figure if I still like it and want it after three years time I can probably live with it being there forever.
I design some part of each of my tattoo artwork, and below is some flash of various designs that I currently have/will have/am considering.
Friday, March 12, 2010
Owl Movie
*studders* O-o-owl movie. Owl Movie. OWL MOVIE! Ack! *dies from the awesomeness* Seriously, though, how did I not know about this? Did you see the little Athene Noctua? OMG! *hyperventilates* I haven't been this excited about a film since the Lord of the Rings movies came out. *runs off to watch the trailer again*
Thursday, March 4, 2010
Athene Noctua
I thought I would devote a bit of space to Athena's animal companion, the Little Owl.
The Latin name for the Little Owl is Athene noctua, which will come as no surprise to my Wiccan and Thelemic brethren as I've been using the name "Noctua" publicly in those circles for more years than I wish to count. Glaux, the name I use in Hellenic groups, is the Greek word for this same type of owl.
The Little Owl is native to most of the warmer parts of Europe, Asia, and north Africa. It is not native to Great Britain, but was naturalized there. It was also successfully introduced to New Zealand. It is closely related to the American Burrowing Owl (Athene cunicularia).
There is a gray Middle Eastern type of Athene noctua known as the Syrian Little Owl. The ornithological journal Dutch Birding has advocated naming it a separate species: Lilith's Owl (Athene glaux).
The Little Owl is famously depicted on the "tail" side of Greek coins, from the earliest silver tetradrachms to the Greek Euro.
Here is a lovely video of a Little Owl in the wilds of Spain.
The Latin name for the Little Owl is Athene noctua, which will come as no surprise to my Wiccan and Thelemic brethren as I've been using the name "Noctua" publicly in those circles for more years than I wish to count. Glaux, the name I use in Hellenic groups, is the Greek word for this same type of owl.
The Little Owl is native to most of the warmer parts of Europe, Asia, and north Africa. It is not native to Great Britain, but was naturalized there. It was also successfully introduced to New Zealand. It is closely related to the American Burrowing Owl (Athene cunicularia).
There is a gray Middle Eastern type of Athene noctua known as the Syrian Little Owl. The ornithological journal Dutch Birding has advocated naming it a separate species: Lilith's Owl (Athene glaux).
The Little Owl is famously depicted on the "tail" side of Greek coins, from the earliest silver tetradrachms to the Greek Euro.
Here is a lovely video of a Little Owl in the wilds of Spain.
Thursday, February 25, 2010
Owl 'O Clock
My desk is situated next to a pair of sliding glass doors overlooking a small copse of trees and a pond. For the last few days around four 'o clock in in afternoon I've been visited by a Short-eared owl who always chooses to perch in the same long hanging branch near the doors. I knew that raptors hunt an area on a kind of schedule, but her hunting habits are so regular as to be astonishing. As someone who is overly fond of owls, I cannot help but take her appearances as a blessing of sorts. I know not if it is Athena checking up on me, a manifestation of my totemic animal, or simply a beautiful sign of encouragement from the mutliverse.I wonder if she will stop by again today?
Power Song
In The Way of the Shaman Michael Harner discusses moving into altered states of conciousness through the use of rhythmic sound, (drums, rattles) dance,and singing. He briefly discusses the shamanic power song, which is a song the shaman sings to draw his/her spirit helpers close during trance. Below is a power song I have written for myself.
Rise, gray-feathered woman
Rise, shining-eyed night bird
Hwut! Hwut!
Answer my call
Rise, silent flyer
Rise, she of sharp talons
Hwut! Hwut!
Come unto me
Rise hook-beaked sister
Rise, great-eyed wisdom keeper
Hwut! Hwut!
I sing for you
Saturday, February 20, 2010
Owl Articles
A wise owl or a foolish oolu?
by: Peter Foster
Since I started learning Hindi, I've been fascinated and perplexed by the fact that in India an "owl" or "oolu" - is not considered wise as in Britain but is used as a term of fairly gentle derogation, meaning "dolt" or "fool". [Read More]
Owl at the Medieval Bestiary
Latin name: Noctua
Other names: Bubo, Bubone, Chouette, Fresaie, Hibou, Huen, Huerans, Huhan, Nicticorax, Night raven, Night-owl, Noctua, Nycticorax, Strix, Ulula
The owl is a dirty bird that prefers darkness to light. The owl haunts ruins and flies only at night; preferring to live in darkness it hides from the light. It is a dirty, slothful bird that pollutes its own nest with its dung. It is often found near tombs and lives in caves. Some say it flies backwards. When other birds see it hiding during the day, they noisily attack it to betray its hiding place. Owls cry out when they sense that someone is about to die. [Read More]
Owl Symbolism at Wikipedia
In many parts of the world, owls have been associated with death and misfortune, likely due to their nocturnal activity and common screeching call. However, owls have also been associated with wisdom and prosperity, frequently being companion animals for goddesses. In Hindu Mythology, the barn owl is considered to be vehicle of Goddess Lakshmi (Goddess of Wealth) and thus it is considered lucky if an owl resides near your house. [Read More]
Reposted from MySpace blog November 05, 2008
by: Peter Foster
Since I started learning Hindi, I've been fascinated and perplexed by the fact that in India an "owl" or "oolu" - is not considered wise as in Britain but is used as a term of fairly gentle derogation, meaning "dolt" or "fool". [Read More]
Owl at the Medieval Bestiary
Latin name: Noctua
Other names: Bubo, Bubone, Chouette, Fresaie, Hibou, Huen, Huerans, Huhan, Nicticorax, Night raven, Night-owl, Noctua, Nycticorax, Strix, Ulula
The owl is a dirty bird that prefers darkness to light. The owl haunts ruins and flies only at night; preferring to live in darkness it hides from the light. It is a dirty, slothful bird that pollutes its own nest with its dung. It is often found near tombs and lives in caves. Some say it flies backwards. When other birds see it hiding during the day, they noisily attack it to betray its hiding place. Owls cry out when they sense that someone is about to die. [Read More]
Owl Symbolism at Wikipedia
In many parts of the world, owls have been associated with death and misfortune, likely due to their nocturnal activity and common screeching call. However, owls have also been associated with wisdom and prosperity, frequently being companion animals for goddesses. In Hindu Mythology, the barn owl is considered to be vehicle of Goddess Lakshmi (Goddess of Wealth) and thus it is considered lucky if an owl resides near your house. [Read More]
Reposted from MySpace blog November 05, 2008
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